In this post, I reflect on the my experience of teaching at the USAP Community School. As a child of two professional educators, I’ve always known that teaching was going to happen in my career sooner or later. However, more than a career decision, this has been a personal mission to contribute to my community in Zimbabwe and explore the intersection of education, culture, and social change. Teaching Humanities and Music at USAPCS has been more than just a job; it has been a transformative experience for myself and my students, one that has deepened my understanding of education as a tool for empowerment and healing. Here, my interest in Anthropology proved to be an asset, and I feel I have been able to channel so many skills I learned in the department towards my work.

In line with creating the Rayiro Orchestra, here I'll be writing about the lyre-like instrument: the Chivandudzo, which I worked on during the holiday season of 2022. Making it was quite challenging, a bit exhausting (mistakes were made here and there) but ultimately fulfilling. Keen music lovers will see influences from the Bapedi dipela/harepa in terms of sound, the Eritrean/Ethiopian krar in terms of shape, and the nhare mbira in terms of playing technique. My intent is to make an instrument that is compatible with mbira musical structures, as well as different Zimbabwean singing styles, while adding sounds not common to traditional ensembles. Happy reading!

In line with creating the Rayiro Orchestra, here I'll be writing about the Inanga reDzimbahwe. Loosely translated, 'Inanga reDzimbahwe' ought to be read as 'Inanga in the tradition of Dzimbahwe music'. I think this name will make finding the roots of this instrument easier, although of course many musical roots from around the African continent are present in it. Special thanks to Deo Munyakazi's indispensable contribution to this instrument coming to life! Happy reading!

Yes, another member of the Rayiro Orchestra has arrived! In this post, I'll be talking about the Chipetura lute and some of work that went into it. I love that is an easy/intuitive instrument to play, and I would say a great entry instrument for anyone who is interested in learning how to play strings. Happy reading!

This is the beginning of a dream I hope one day comes true: the creation of a traditional Zimbabwean orchestra that brings all our instruments together and where we can all play music. In this post, I present the Ridzautare marimba, the research and influences behind it, and its place in the orchestra. Enjoy!