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Anesu Ndoro
Hi there! I'm so grateful and humbled that you're here and have taken time out of your day to engage with my content. This is a little space where I contribute my own perspectives to conversations about different topics. This is also where I can hear from you. Please like, comment and subscribe so we stay in touch!
Forming The Rayiro Orchestra pt. 3: The Inanga ReDzimbahwe
In line with creating the Rayiro Orchestra, here I'll be writing about the Inanga reDzimbahwe. Loosely translated, 'Inanga reDzimbahwe' ought to be read as 'Inanga in the tradition of Dzimbahwe music'. I think this name will make finding the roots of this instrument easier, although of course many musical roots from around the African continent are present in it. Special thanks to Deo Munyakazi's indispensable contribution to this instrument coming to life! Happy reading!
Forming The Rayiro Orchestra pt. 2: The Chipetura Lute
Yes, another member of the Rayiro Orchestra has arrived! In this post, I'll be talking about the Chipetura lute and some of work that went into it. I love that is an easy/intuitive instrument to play, and I would say a great entry instrument for anyone who is interested in learning how to play strings. Happy reading!
Forming The Rayiro Orchestra pt. 1: The Ridzautare Marimba
This is the beginning of a dream I hope one day comes true: the creation of a traditional Zimbabwean orchestra that brings all our instruments together and where we can all play music. In this post, I present the Ridzautare marimba, the research and influences behind it, and its place in the orchestra. Enjoy!
Forming The Rayiro Orchestra pt. 4: The Chivandudzo Lyre
In line with creating the Rayiro Orchestra, here I'll be writing about the lyre-like instrument: the Chivandudzo, which I worked on during the holiday season of 2022. Making it was quite challenging, a bit exhausting (mistakes were made here and there) but ultimately fulfilling. Keen music lovers will see influences from the Bapedi dipela/harepa in terms of sound, the Eritrean/Ethiopian krar in terms of shape, and the nhare mbira in terms of playing technique. My intent is to make an instrument that is compatible with mbira musical structures, as well as different Zimbabwean singing styles, while adding sounds not common to traditional ensembles. Happy reading!